Top 10 Manliest Movies of All-Time

The 2017 summer movie slate might just be the least testosterone-addled in cinema history. Between the faux female-empowerment of Wonder Woman and Atomic Blonde, the enforced multiculturalism of The Fate of the Furious and Guardians of the Galaxy 2 and the syrupy juvenilia of the tertiary Cars and Despicable Me installments, there hardly seems to be anything showing at the local multiplex catered towards the refined, adult sensibilities of male viewers. Indeed, outside of Dunkirk, I can’t think of a single movie coming out during the Memorial Day to Labor Day box office bonanza that’s catered towards the traditional, masculine, movie-going masses.

With such scant options at the nearest neighborhood cineplex, now is a most opportune time to revisit some of the greatest, XY-chromosome-centric celluloid classics of yesteryear. Instead of exposing your children to an effete, effeminate Spider-Man, Tom Cruise’s feigned attempts at displaying heteronormativity or identity politics-driven drivel like Detroit and The Dark Tower, why not treat them—and yourselves—to these manly movie masterpieces instead?  

Thunder Road (1958)

You’ll never see a movie like Thunder Road again. Robert Mitchum’s cult classic is one of the greatest pro-masculinity movies ever, depicting a rugged individualist moonshiner fighting for his right to life, liberty and the pursuit of happiness against corrupt and crooked federal agents.

Devoid of nudity, vulgarities, graphic violence and on-the-nose progressive politics, Thunder Road simply tells the tale of a conflicted man following his conscience and standing up for his morals without demanding the audience agree lockstep with his own virtues. It’s one of the best action movies and character dramas of the 20th century and an absolute masterpiece of libertarian/classical liberalism cinema; you owe it to yourself to see it at least once.

The Man Who Shot Liberty Valance (1962)

Featuring three of the manliest actors of all time—John Wayne, Jimmy Stewart and Lee Marvin—The Man Who Shot Liberty Valance is largely considered one of the best Westerns ever filmed, and for good reason.

The Wayne/Stewart dichotomy presents an interesting portrait of manhood, demonstrating the necessity for the rugged, individualist persona and the more cultured, intellectual mentality. Few movies out there do as splendid a job depicting what makes a constructively-aggressive male leader and what separates them from destructively-aggressive male leaders; if you want to show your kids what real men look like, this is one you need to add to your library A.S.A.P.

The Dirty Dozen (1967)

Forget The Avengers, forget Justice League, and definitely forget Star Wars – no movie has ever had a greater ensemble cast than this World War II masterpiece. Starring a literal manly actor Hall of Fame roster—Lee Marvin, Ernest Borgnine, Charles Bronson, Jim Brown, George Kennedy and Kojak himself, Telly Savalas, make up just half the team—this exquisite action classic might just have more per capita testosterone than all of the Expendables movies combined.

While the concluding chateau siege sequence is undoubtedly one of the greatest finishes in movie history, what really makes The Dirty Dozen stand out is its character development; if you’re looking for a thrilling action movie with a smart script and top-notch acting, you won’t find many rivaling this outstanding late ‘60s offering.

Emperor of the North Pole (1973)

Here’s another great testosterone-enthused treat from director Robert Aldrich. Set during the Great Depression, Emperor of the North Pole (sometimes titled simply Emperor of the North in some prints) focuses on seasoned hobo Lee Marvin showing neophyte vagabond Keith Carradine the ins and outs of (illegally) hitching train rides.

Things take a turn for the worse when they decide to hop aboard a locomotive engineered by the psychotic Ernest Borgnine, who takes great pride in maintaining a stowaway-free operation – even if it means killing a few vagrants every now and then. The concluding knockdown, drag-out brawl between Marvin and Borgnine might just be the greatest fight in movie history – Lord knows, it’s definitely the manliest.

Bring Me the Head of Alfredo Garcia (1974)

You really can’t talk about manly movies without talking about the manliest director of all-time, Sam Peckinpah, and this might just be his best (and most uncompromised) overall work. Starring the extremely-underrated Warren Oates, Bring Me the Head of Alfredo Garcia focuses on a U.S. military man who takes up a drug kingpin’s offer to decapitate the Mexican lothario who deflowered his daughter.

Of course, things go awry (no spoilers, but let’s just say a rape scene involving country music singer Kris Kristofferson plays a prominent plot point) and by the time our protagonist finally gets a hold of the titular noggin, he’s ready to embark upon the ultimate revenge fantasy road trip. There are a lot of great “vengeance is mine” movies out there, but as far as I’m concerned, none of them have surpassed this wild, woolly and unabashedly nihilistic action romp – it’s definitely triple A viewing fare for when you’re having a particularly bad week at the office.

Hard Times (1975)

Charles Bronson could rightly be considered the manliest actor of all-time, and this fairly obscure boxing flick from the mid-’70s is all the evidence you need. The iconic Death Wish star plays a Depression-era vagrant who is good at one thing and one thing only: bare-knuckle boxing other hobos. Enter sleazy boxing promoter James Coburn, who quickly turns old Chuck into a barn-storming, bum-pummeling sensation who makes a mint shellacking vagabonds all over New Orleans.

This movie is a firm reminder of just how great Hollywood action movies used to be before the plague of cultural Marxism infected the box office; with exquisite acting and some of the best pugilist scenes in movie history, Hard Times is a delightful, character-driven ass-kicker with both brains and brawn.

Smokey and the Bandit (1977)

Burt Reynolds was the last of the great, non-metrosexual movie stars who could actually act (sorry, Stallone and Arnold.) The great mustachioed one’s signature role comes in one of the best action-comedies ever filmed, a rollicking yet reverent ode to the American trucker and a celebration of every red-blooded man’s right to drink beer and drive as fast as they damn well please.

It’s also an aggressively libertarian film, rooted in an abhorrence of stupid federal regulations and even stupider local authorities. Plus, it’s the only time Sally Fields has ever actually looked hot in a movie, so it’s probably worth watching it for that facet alone.

Sorcerer (1977)

More so than just about anybody else, George Lucas is responsible for the emasculation of American movies. The runaway success of Star Wars ensured Hollywood would abandon the rough and tough, reality-based star vehicles of the 1970s—The Sting, Taxi Driver, The French Connection, etc.—thus ushering in an age of family-friendly fantasy yarns and merchandising-tie-ins-disguised as movies like E.T. and Back to the Future. William Friedkin’s Sorcerer – which, as fate would have it, was released alongside the first Star Wars movie – shows us what mainstream moviemaking was like before the industry’s mass infantilization and demasculinization.

A taut, nuanced, sophisticated thriller starring Roy Scheider as a man tasked with transporting a super-explosive delivery across the rocky terrain of South America, Sorcerer is a simple yet extremely engrossing, character-driven classic – and further proof that Hollywood was much, much more entertaining when they stuck to crafting entertaining movies instead of finding ways to indoctrinate audiences with their progressive (regressive?) ideological convictions.

Blue Collar (1978)

Forget Grease and Saturday Night Fever, this is the film that embodied what the 1970s were really about. Richard Pryor turns in an astonishing, Academy Award-worthy dramatic performance as an auto worker caught up in a union conspiracy, with best pals Harvey Keitel and Yaphet Kotto doing a fantastic job playing his partners-in-crime.

Moreover, it’s an excellent indictment of the times, showing how union greed, federal regulatory corruption and the degenerate vices of the American worker all came to a head to cause the spiritual death of America’s once-proud auto industry.

Hardcore (1979)

Rounding out the top ten is another movie helmed by Blue Collar director Paul Schrader. The nearly 40 year-old movie feels eerily prescient now, painting a bleak portrait of the end outcomes of second-wave feminism, free love and the post-Baby Boomer drug culture.

George C. Scott turns in perhaps the greatest performance of his elite Hollywood career playing a grieving Michigan father who slums his way through California’s grimy porn industry to rescue his daughter from the clutches of a sex trafficker.

The final 20 minutes of the movie are among the most depressing ever filmed, demonstrating exactly what happens when father figures are discounted as “patriarchal oppressors” and traditional family values are discarded for so-called “sexual liberation” idealism.

Read More: You’ve Already Seen One Of The Greatest Red Pill Movies Ever Made

205 thoughts on “Top 10 Manliest Movies of All-Time”

  1. Jackie Gleason’s southern accent was atrocious but, I give him a pass since he was so funny.
    The Dirty Dozen is the only one of the rest of those movies I’ve watched but I’m going to check them all out.
    I can’t really remember the last time I saw a good movie that didn’t try to slip in some political content. They should leave the politics at home and go back to making good movies.

    1. You’ll love Hard Times. I just went through a couple dozen Charles Bronson movies and he was great-Hard Times is about my favorite. Mr Majestik is also good and Once Upon a Time in the West is a classic.
      If you like Thunder Road and I can’t see how you wouldn’t, check out The Night of the Hunter.
      Didn’t see any McQueen flicks so my .02 is Hell is for Heros.

  2. Forget a few. Fistfull of Dollars, The Good the Bad the Ugly. Sudden Impact, the coffee scene.

        1. Leone prerry much ripped off the entire film shot for shot from ‘Yojimbo’ a surprisingly masculine Japanese samurai film.
          If you like ‘Fistful’ you should give it a watch, it’s literally the same film but with samurai swords.

        2. Watched Yojimbo a few weeks ago and was kinda shocked. Even the dialogue is more or less the same. The Blind Swordsman series is pretty badass if you are looking for Samurai movies to kill time with.

        3. Kurosawa sued Leone in Tokyo over Fistful of Dollars and won damages there.

    1. For a Few Dollars More fucking rocks ass, too. Great cast, awesome villian, amazing soundtrack.

  3. nothing prior to the 70s on this list, alot has changed eh? Heres a third Lee Marvin flick to check out, plot was the basis for Mel Gibson’s Payback

    1. think the list was for little-seen gems; I never heard of 7 outta 10.

      1. Well if the title is `Manliest movies of all time` it has to be on it:)

    2. “Nothing around here but a bunch of slack jawed faggots!”.
      They can’t get away with lines like that now.

      1. “Nothing around here but a bunch of slack jawed patriarchs!” – they could get away with that…

        1. Watch it, having a well-defined jawline could be a strong signal that you’re implying cis-male attributes, shitlord.

      2. Hell no you couldn’t. But hey, they were being a bunch of little faggots-who turns down a fat chaw from Jesse the motherfucking BODY Ventura? Little girly men that don’t want to be transformed into a sexual tyrannosaurus, that’s who.

      3. I can`t think of a single scene in that film that would be acceptable today.
        That`s one of the reasons I love it!

        1. Naw man, he’s just gotten old and let too much of the Kennedys rub off on him. Lol

        2. His stint as California governor showed he had a glass jaw. Fucking some skank housekeeper. His prissiness on his Apprentice run. Attacking Trump and others on the right. The only thing to rub off was his fake hollywood exterior.

      4. “Slack jawed faggots” still echoes today. Great line. I hear guys quote it every now and then.

      5. The line stolen from Slim Pickens in another great manly film, Blazing Saddles. It’s “Kansas City faggots!”

    3. And on your far right….. you will see the former governors of California and Minnesota.

      1. can’t believe Carl Weathers didn’t run for governor of something…..

    4. Damn right about that. I was seven when it came out. This was my favorite scene. Note the intensity/concentration on Arnold’s face at :39.

    5. Even after all these years that movie never fails to entertainment. It had everything an action movie needs: masculine badasses, great action, great one-liners, great suspense, serviceable story… and Arnold schwarzenegger. I’m always fueled with testosterone everytime I watch this gem of a movie.

      1. They (Lamestream Hollyweird) doesn’t make badass action films like back in the 80’s/90’s. Shit, remember some of those old Swayze revenge flicks?

        1. Next of Kin??? No one talks about that flick and it was pretty badass.

        2. Whatever action movies that are made today are highly stylized or are comic book movies with pretty boy actors. There have been some good action movies in the 21st century, Gladiator, Casino Royale, Dark Knight Films, Bourne Trilogy, 300, but that is about it. Other than those exceptions, everything has been a cuckfest.

        3. Next of Kin was awesome. The only thing bad in it was Liam Nieson’s atrocious “redneck” accent.

        4. Haha hell yeah! The scenes that were filmed back in the hills is where I live. There’s several accents in eastern kentucky and Liams is pretty close to sounding like the rednecks from neon or carbon glow.

        5. The hillbilly scenes were filmed five miles from my house. Liams accent in my opinion is really close to sounding like some of the rednecks I know from this area. I think it may be because it was settled by the Irish and we kept the accent and added a southern draw to it.

        6. I’ll give him an A for effort. Ironically, movie is about a hillbilly from the kentucky/west virginia border moving to Uptown Chicago. Saw the movie the summer I moved from West Virginia to….Uptown Chicago.

        7. This is exactly where the Appalachian accent came from. Scottish/Irish folks living in the backwoods for generations-kept some of the language and phrasing from home and slowly added that southern drawl over the years

        8. John wick is fucking awesome. Only movie that I’ve seen in a while that wasn’t cucked

    6. Bloodsport was tip top. Most of the Reagan era action movies were great. Much better than the cuckish comic book pretty boy crap we got now.

    7. You’re ghostin’ us, motherfucker. I don’t care who you are back in the world, you give away our position one more time, I’ll bleed ya, real quiet. Leave ya here. Got that?

      1. Gonna have me some fun t’night gonna have me some fun gonna have me some…. (skull explodes)

    8. I loved Predator, and Terminator 1 and 2 for that matter. Most of Arnold’s early films were good, especially Raw Deal.

    9. The sequels were blanks, the original was great. Not sure about the new one they are making with the bad guy from Logan.

  4. Good list.
    I would replace Hardcore with Death Wish.
    And Blue Collar with The Outlaw Josey Wales.

  5. Great scene in Alfredo Garcia where he is trying to kill his crabs with cheap booze.

    1. Cross of Iron is an incredible war film. An anti-war film, really, much as Full Metal Jacket, Born on the 4th of July, Johnny Got His Gun, or any great war film is.
      It’s hard to believe that its protaganists were Nazis and they weren’t portrayed as evil murdering psychos.
      Gotta say the editing was excellent in Peckinpah’s films.

      1. Yeah, that Nazi trope has really become tiring. Not that I like Nazies or anything, but it’s become repetitive how anytime Nazis are portrayed these days, they always have to be the most vile creatures to have ever existed. I’ll check these movies out.

        1. Stanley Kubrick’s Path to Glory is also a great anti-war film. It was one of Kubrick’s early films, and, as a perfectionist, he disliked it.
          Generation War is a good modern one.
          Someone posted this clip of the Russian tank attack near the end of Iron Cross here, which is what convinced me to watch it. It’s just great filmmaking. The shots, the cuts, the editing, the scope of the whole thing. Someone actually sat down and put some thought into the location, the set, the crew, the props, everything, and made a very accurate recreation of war. (I’m guessing, never been!)

        2. Vile and terrifying, yet somehow at the same time bumbling, laughable losers. It’s how the tards like to portray all their “enemies”.

  6. When I get home the first thing I’m gonna do is punch yo mama in da mouth!- Sheriff Justice.
    I’ve seen it a hundred times and still laugh every time he says it.

    1. “There’s no way, no way that you could come from my loins.”… One of my favorite all time movie characters!

      1. And keep DeNiro’s converstaion with Pacino in mind about being ready to walk away on a moment’s notice.

  7. Some great movies here! The French Connection 1-2 were great Men’s movies too.

    1. I don’t mind pre-1960s monochrome movies. But I draw the line at sitting through a silent film.

      1. I think you need to listen to Metallica’s …And Justice For All album while watching this one

        1. you can watch Metropolis on u tube. I was able to sit thru that one. buster keaton stuff too

        2. I’m trying to think of a silent film that I like…hmm…maybe the silent film clips in “8MM” (1999 – Nicolas Cage).

        3. Ha, yeah, Nick Cage was pretty fucking cool back in the day. The Rock and Conair are great and over the top squared in their own right.

        4. Raising Arizona and Moonstruck. He peaked early. also Vampire’s Kiss

        5. Man, The Rock… what a great movie that was. Back when Michael Bay could actually be a director. Then again, it had Sean Connery in it, so it couldn’t be anything less but awesome.

        6. and ed harris, and buncha good character actors whose names elude me

        7. Wow, that was Bay? Hard to believe. I associate him with shitty action film.
          While certain stars (ie Connery, my ole boy Steve McQueen, etc.) could make a film a must-see, my main criteria when deciding to watch a movie is who directed it?

        8. Yeah, I know, it surprises me still. But Bay was once actually capable of directing, believe it or not. He also directed Bad Boys 1 and 2(both extremely entertaining movies) and The Island(enjoyable as well). The moment he started the Transformers movies is when he went downhill.
          Hell, I normally wouldn’t have a problem with giant robots with big explosions, but I really hate action movies that are so overblown in their wackiness but also attempt to be have a serious tone and story. Ugh.

        9. Even mute and blindfolded it’s bad you can just feel the nasty bitch particles reaching your skin

    2. Ha ha I thought this was a silent film.. how is this the “English” version?
      Has it been edited for content or dumbed down in some way?

  8. Where the heck is lolknee lately…this joint ain’t the same without the Kneeman.

    1. Last spotted clutching a VHS tape entering a Korean cobbler’s on the Upper East Side. Whereabouts unknown.

      1. He just changed his handle…youll figger it out eventually…

        1. I didn’t catch on until I noticed a random Chinese Coke PeePee Joke in a thread somewhere.

  9. Isn’t Sorcerer supposed to be a remake of the French movie “Wages of Fear?”

  10. Ah, movies. I so do love it when an article talking about manly movies comes up on RoK. I probably wouldn’t have bothered with many of the old movies if I hadn’t read about them on this site. Now there are ten more movies on my “to watch” list.

  11. Great list, methinks. Will have to check out some of the obscure(ish) titles. On the other hand, how the hell could you leave out Brokeback Mountain, though? From what I have heard, it is about rugged, masculine gents who definitely don’t put the clam shack on a pedestal! Revised list, maybe?

  12. The Third Man, one of the best movies ever made. All the spaghetti westerns. The Seven Samurai, Johimbo, and Sanjuro.

  13. Kelly’s Heroes
    The Warriors
    Escape From New York
    And let’s not forget…The Thing (First two versions)

  14. Only recall watching Dirty Dozen and Smokey and the Bandit thanks to my Dad’s influence.
    Would add Kurt Russel’s Escape From New York to the list. Steve McQueen’s The Great Escape as well.

  15. The Real List:
    Master and Commander: The Far Side of the World
    Fort Apache
    True Grit
    Gettysburg
    Gods and Generals (for its accurate portrayal of the South)
    Zulu
    The Horse Soldiers
    American Sniper
    Lone Survivor
    The Gathering Storm

      1. Yep. Watched it when I was 12 and never recovered. Brilliant film by the late, great Cy Endfield.

    1. One of the only truly good masculine films I’ve seen in the last 10 years. Love that movie.

  16. Always thought Charles Bronson’s “Red Sun” deserved more attention. A great clash of cultures, you could say. Featuring a samurai who can sleep as he walks, so no one gets the drop on him. And “The Triple Cross”, by the same director. Yul Brynner plays one of the cooler Nazi’s on film, facing it like a man.

  17. Sergio Leone’s ‘Dollars’ trilogy, Outlaw Joesy Wales, Once upon a time in the west, Hang em High with Clint was a phenomenal red pill film, so was original django, shit, any Western with Clint, Lee, or Eli.
    Hollywood just cannot seem to make a decent western, though admittedly, when the populace would rather watch CGI drivel with robots pummelling each other with Marky Mark and ‘you-go-girl’ how could they possibly profit?

    1. & this is why, Clint Eastwood films , were named ,Fascistic films by the “libertarian” ??
      Killing psychopaths by Clint Eastwood in his films, were fascistic, right-wing Nazis, racist militia type actions ??

  18. “Southern Comfort” – 1981, with Powers Booth, Keith Carradine, Fred Ward. Directed by Walter Hill. Great Movie!

    1. I’ll watch anything with Powers Booth, really. A real shame that he died.

  19. “The Dirty Dozen” is extremely anti-white propaganda.
    The heroes are all goddamn rapists, murderers and other degenerates. Their goal is to burn alive dozens of German civilians.
    And par for the course, a hot blonde German woman comes across a hideous Khazar looking stranger in the mansion. What’s her reaction? Scream? Run away? Call for help? Naaah. She wants to fuck him, naturally.
    Disgusting film.

  20. Darth Vader represents a very masculine male: He’s tall (Seven foot tall in the original script, David Prowse is 6’5″, and was a bodybuilder I might add); his voice is deep; he’s a fierce leader who fights alongside the stormtroopers; and much more. Luke is exactly the opposite, an effeminate male. These symbols are not new. Darkness and masculinity in Christianity has been equated with evil, and a hippie Jesus and effeminate angels in European art has been with us for a long time. Need I say the Devil is dark, masculine and evil? It’s all bullshit. And the establishment has used it for at least a millennium. The twist is that Vader is the virgin birth. Gives us an idea who he represents.

    1. Thief is a very underrated movie.
      Three Kings has George Cuntly in it. Fuck that chump.

  21. Maybe these are bit cliche but I’d have to say 300 and The Expendables. If there movies that make want to break my bench PR, drink whisky, smoke cigars and fuck hot bitches, it’s these.

  22. “Hardcore – a grieving Michigan father who slums his way through California’s grimy porn industry to rescue his daughter from the clutches of a sex trafficker.”
    If a red pill man found out that their daughter had entered the porn industry the common sense thing would be ditching her, most women volunteer for this industry they are not victims.

    1. The implication is that she was kidnapped and forced into it, but yeah if a woman voluntarily enters into this line of work, why the need to “rescue” her from her own decisions? Isn’t that actually kind of showing disrespect towards women in a way by treating them like children with no sexual agency or knowledge of what’s best for themselves?

  23. The original magnificent seven and anything with Clint Eastwood are good. Once upon a time in the west with Charles Bronson and I think Henry Fonda is good as well.

  24. I love that the main photo for this article depicts a man beating a woman. How very masculine.

    1. He’s just giving her a spanking, sweetheart. Most of y’all love that anyway.

    2. Just leave, won’t you? Go live out your final five years of the carousel then get your cats

  25. So you use John Wayne’s Mclintock for the opening picture but dont list it?

  26. The Wages of Fear (1953) A rich oil barren hires a truckers to hall Nitroglycerin there the
    rain frost to blow out a oil well that has caught on fire. Move gave me cold sweats and made me want to bite my fingernails off.

  27. Don’t know if it’s as good as the entries on this list, but I greatly enjoyed the new Arthur: Legend of the Sword precisely because the MC was unabashedly masculine.

    1. “I greatly enjoyed the new Arthur: Legend of the Sword ”
      go away and die

        1. it was a total senseless movie it was even worse then Clive Owens King Arthur

  28. GREAT choice “Sorcerer ” what a gem. Directed by Billy Freidken who directed The Exorcist, French Connection …

  29. The Man who Shot Liberty Valence” and “The Dirty Dozen” are two of my favorite movies of all times, except for “Fight Club”.

  30. The Wild Bunch…Point Blank…Get Carter…The Outfit…there were loads of ‘masculine’ movies in the past…now we get shit-kickin’ chicks.

    1. I saw Get Carter for the first time today. Absolutely love Michael Caine(no homo) in this movie. His slick style, the way he dresses, the way he behaves, his character. It’s worth watching the movie just for him. A guy that gets what he wants and doesn’t let anyone get in his way. Bangs bitches, kills bitches.

    2. They always feel the need to put some warrior woman in these movies even where they are so historically imaccurate it ruins the entire movie. I do think it was interesting when they put that one psycho bitch like she was the main muscle and bodyguard of the bad guys because it was a very outrageous flick to begin with but now it’s getting ridiculous.

  31. I just noticed the authors name, I went to school with a guy named Jim Jones, we called him “Killer”.

  32. The picture at the top of the article is from “McClintock!” a more humorous masculine movie.

  33. Many great choices here. I rewatched Hard Times recently and arrived at the same conclusion: Bronson was manly as fuck. Far more than Eastwood. Nobody played the strong-stoic-silent type like him.
    The Man Who Shot Liberty Valance is a classic but there is a quasi- liberal thread running through it concerned with questioning, perhaps even dismantling, myths of heroism and nationhood.

    1. Gotta agree with you here. Charles Bronson was the man. Clint Eastwood is great, but Bronson wasn’t tough just in front of the camera, he was a tough man in general due to his upbringing. Being stoic and tough came naturally to him. No disrespect to Clint, he’s a tough guy too, just not on Bronson’s level.

  34. I watch the Dirty Dozen up to the chateaux scene which I find far too sadistic. But I guess roasting unarmed Germans and their wives alive in a huge oven is all good fun. Ruins the whole movie for me. But the performances are brilliant to watch.

  35. Once Upon a Time in the West with Charles Bronson and Henry Fonda is a great film for this list. Funny, how all these manly movies were common until the 90s.

    1. 1990’s saw the breaking point where political correctness quieted the bulk of society. It has been put up with for a generation, but there is an reawakening. You will see the return soon enough.


  36. This movie would never be made today. It was one of the Reagan era Dirty Harry movies. Notice how everyone looks like stick figures? Liberals would take this scene out of context, seeing a white male win a gun battle against several armed black men. In real life no one is going to win a gun battle against multiple armed opponents at close range. Dirty Harry was about venting rage at the urban decay that was starting to plague American cities at the time and still does today.

  37. Armageddon
    Scarface
    Bruce Lee
    Rambo
    Apocalypse Now
    The Patriot
    Rocky
    Die Hard
    Independence Day

    1. Scarface promoted incest.
      Independence Day had a Jew whining about a divorce that happened years ago.

    2. Apocalypse Now is filled to bursting with death and madness and lots of severed heads. What’s manly about that?

  38. Every Bond movie starring Sean Connery
    Sean Connery was THE MAN!!
    Handsome as hell (no homo), was a bodybuilder in his earlier years.
    (immortalized, best bond hands down (dat swag, dat personality, dat sense of confidence that no other Bond had)
    Connery is definitely among the top 10 alpha males of his age.

    1. Totally agree, still liked Roger Moore in the role as well. Timothy Dalton did a good take on the character and so did George Lazenby. Even Pierce Brosan did a respectable Bond.
      Really had a hard time with Daniel Craig’s Bond. I liked Casino Royale, but his other films just did not feel like Bond movies. The media has been hyping up Craig as being as good as Connery which I find to be a joke. I really think Craig was more of a Bond made for the non English speaking market with less dialogue and more action and grit.
      Seems like Craig is going to keep the world in suspense for the next film.

  39. Jimmy Stewart is one of ” of the manliest actors of all time”?
    Smokey and the Bandit is simply idiotic. This kind of dross shouldn’t be held up as an example of anything positive.


  40. The old American in frontier in Last of the Mohicans. Daniel Day Lewis as Hawkeye. What an amazing actor.

  41. Seen the new Spider-man? Tony Stark makes inappropriate comments about Peter Parker’s Aunt May. Not only that Mary Jane Watson finally is back after being gone for two films but now she’s an SJW. She refuses to enter the Washington Monument because it was built by slaves.
    Spider-man himself is a hipster calling his foster dad Tony Stark when he can’t handle things himself, what a lame beta.
    You think the Tobey Maguire Spider-man would have been the blockbuster that resurrected comic book movies if it had content like that back in 2002? I seriously doubt it.
    Pirates of the Caribbean had the most misogynistic messages and was trashed by critics. It was actually the most entertaining of the big movies this year.
    Its also a mostly Generation Z cast, including the “hero” so it makes me think they are going to be even worse than the hipster millennial group before them.

    1. Pirates of the Caribbean was misogynistic? Ok, I like it already.
      Also, that character isn’t Mary Jane. They even specified that she isn’t Mary Jane. She was INITIALLY supposed to be Mary Jane, but after a justified backlash from the fans they changed her as another character. They could’ve at least chosen a good looking female, she is fucking ugly.
      Glad to hear it doesn’t beat the Sam Raimi movies, though. Toby Maguire may have been awkward in the role but he’ll always be my favorite spidey in cinema. No progressive themes, no politics… just a good story. Ah, miss those days.

      1. Call it Spider-man vs Batman since Michael Keaton is the villain. I liked him more than Tom Holland.

        1. From what I understand, Spiderman is just plain annoying in the movie, and not in his usual funny way. Also stupid, apparently. Wasted potential. But hey, Marvel are more interested in pushing diversity than telling good stories. I’m glad to hear that it didn’t perform as good as previous spiderman movies.

  42. “Bad Day at Black Rock” is another good one along the same theme of these movies. Spencer Tracy is fantastic as the one handed man seeking the truth,

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