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3 More Hollywood Films For Men That Leave Today’s SJW Films In The Dust

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Being exposed to even a single, solitary, modern-day Hollywood SJW film, is like being exposed to a blue-haired feminist with a really pretty face and a killer body. It all looks good at first, but you know it’s going to mess your head up nine ways to Sunday if you stick around till the bitter end…

Thankfully, the following three Old School Hollywood films are guaranteed to reverse that trend, because these made-for-men movies supply every red-pill male with exactly what he craves: visceral, relentless, hard-core action, along with resonant, unapologetic dialogue – and all of it without a single shred of SJW sentiment or subterfuge.

Ah, so very, very refreshing… a veritable oasis amid the decadent desert of modern Hollywood despair.

So let’s drink up. Shall we.

1. A History of Violence (2005 – Viggo Mortensen, Ed Harris, William Hurt, Maria Bello)

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Viggo Mortensen leaves it all on the court as former Mob leg-breaker and hit man, Tom Cusack, who changes his name to Tom Stall, picks up stakes, and relocates to a sleepy Indiana town, far from his native Philadelphia, in an ineffectual attempt to forget about his past and lead a quiet, normal life.

But Cusack’s past won’t let him escape that easily, and he’s forced to confront an assortment of mobsters with bad intentions who eventually come calling – as well as his new wife’s anger and shock upon finding out that he lied to her about who he actually was to begin with…

As an alpha male in serious trouble with zero time to explain, Mortensen’s character does the right thing and bangs the hell out of his wife, Edie (played by Maria Bello) – with emphasis – in order to quickly calm her down, and she begrudgingly resumes watching his back all the way through the rest of this taut, tension-filled drama.

Maria Bello

The fight scenes are absolutely top-notch – no bogus, chop-socky buffoonery here – and even though William Hurt’s turn as Tom’s big-brother Mob boss, Richie Cusack, features an East Coast accent that noticeably misses the mark (why so many filmmakers stubbornly insist on forcing actors to use accents they can’t master, is a total mystery to me – does it really matter in most cases, if the guy sounds like he’s from wherever it is that he’s actually from? – rant over), Hurt’s rage-filled, sociopathic character is still a tornadic force to be reckoned with, and Ed Harris’s venomous portrayal of Mob underling Carl Fogarty is wonderfully understated in sinister fashion.

You’ll get a kick out of watching Viggo’s character run wild, as he lets out his inner wild dog in the numerous, realistic fight sequences; the fight scene in big brother Richie’s palatial home is the best of the bunch, as Viggo’s character brutally dispatches a would-be assassin in a most gruesome and horrific manner…

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You can’t miss by watching this hard-core action film that was specifically crafted for bona fide, red-pill men. Go ahead and shoot that blonde hottie a text who lives in your building and have her come over and watch it with you. (Make sure she doesn’t forget to bring along her hot cheerleader’s outfit; like all modern sluts who horde such getups for special banging sessions with alpha males, she’ll definitely have one – and if she doesn’t admit to it, text another girl who will.)

2. Cool Hand Luke (1967 – Paul Newman, George Kennedy, Strother Martin)

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They don’t come any cooler – decorated Korean war hero Lucas Jackson (Paul Newman) gets busted for cutting the heads off parking meters in a drunken display of public defiance against the fraternal oligarchs who rule a small town in the American Deep South.

Dragline (George Kennedy), the top alpha male of the prison block, beats the brash newcomer to a pulp in a grudge-inspired boxing match, but eventually rolls over and gives Newman’s character alpha dog status, largely due to Luke’s admirable, witty, charismatic and defiantly non-conformist personality, which perpetually gets him into trouble with the backwater prison’s ruling hierarchy. (As Dragline himself puts it, during one poignant sequence in the film, while admiring Newman’s character from afar, “Hell, he’s a natural-born world-shaker…”)

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This extremely realistic, morbidly unsettling, and at times, extremely humorous film (the screenplay was adopted from a book written by ex-con Donn Pearce), takes us on a roller-coaster ride that showcases the brutal, daily grind and boredom-fueled antics of a prison road crew.

Kennedy won an Oscar for best supporting actor in this must-see, alpha-male film, and figuring out precisely why Newman didn’t win similar hardware for best actor, remains one of the greatest mysteries of all time.

(Oh wait a minute, my bad, I know why Newman didn’t win – Rod Steiger won the award that year due to landing the lead role in the SJW mindfuck film, In the Heat of the Night, which used the now-beaten-to-death theme of rampant racism among myriad, dumb, white crackers who are so unworthy of even being alive that they make life a perpetual living hell for all the poor, never-did-nuffin-wrong, terminally oppressed blacks in the bigoted, hateful, lynch-prone Deep South – yawn.)

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From the hard-boiled-egg challenge, to the horny-slut-washes-her-car-while-cock-teasing-the-chain-gang sequence, to the brutal beat-down scenes featuring vicious, psychopathic prison hacks and pitiful, extremely human and utterly defenseless convicts, this five-star film will make any red-pill man’s day – and probably leave him feeling invigorated and shocked by the end of it.

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Ultra-strong acting chops are displayed by Strother Martin (who plays the prison captain with a Napolean complex; Martin’s character utters the now-infamous line, “What we have here is failure to communicate”), Harry Dean Stanton (as Tramp), Anthony Zerbe (as Dog Boy), Dennis Hopper (as the crazed convict, Babalugats) and virtually every single one of the remaining cast members, especially Morgan Woodward, who plays the sinister, silent, rifle-toting prison guard, who goes by the nickname “The Man With No Eyes”…

You could watch 50 of today’s brain-dead action films, all of which feature blow-’em-up, shoot-’em-up, beat-’em-up action sequences, a lot of SJW dialogue, and very little else, while simultaneously sporting the intellectual appeal of a can of Spam, and they wouldn’t add up to half the film that Cool Hand Luke is…

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But why waste your time. Rent the film and watch it right now.

Why? Because unlike today’s vote-rigged SJW Hollywood films, which get inflated rankings at IMDB from thumbs-up Internet robots and SJW movie reviewers who pose as “regular Joes” while being paid to lie, there isn’t a real man alive who doesn’t admire this film, and I absolutely guarantee that you will love it.

3. Hard Times (1975 – Charles Bronson, James Coburn, Strother Martin, Jill Ireland)

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Charles Bronson just keeps coming right at you in the fast-paced, 1975 action film, Hard Times, as he portrays Cheney, a grizzled, down-on-his-luck, 50-something street-fighter, who brutally knocks out every single chump who is dumb enough to stand in front of him.

Bronson is utterly convincing as the taciturn, backwater, Depression-Era “Hands of Stone”; James Coburn should have gotten an Oscar for his turn as the colorful, loud-mouthed Speed, a handler and fight promoter who sets up shady, off-the-grid, bare-knuckle matches and peddles them to gamblers and lowbrow characters of various shapes and sizes; and Strother Martin is subtly fantastic as Poe, a philosophically inclined fight doctor with a nasal, Southern drawl, who has a serious addiction to opium.

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Throw in a steely-eyed performance by Michael McGuire as underworld boss Chick Gandil, and a cold, world-weary, sure-buddy-I-believe-anything-you-say turn by Jill Ireland as Cheney’s two-night banging interest, Lucy Simpson, and you’ve got a recipe for a top-notch action film that was carefully crafted for red-pill men only.

When an alpha male’s back is against the wall, his true nature is bound to come out. At which point he abandons the inconvenience of convention and starts kicking ass and taking exactly what he needs, as this hard-core RPO film clearly points out.

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The fight sequences are satisfactorily realistic, the dialogue is first-rate, the cast is stellar and the direction is very strong (courtesy of Walter Hill, who also wrote the screenplay for this film; Hill’s other notable directorial efforts include The Getaway, The Sting, The Warriors, 48 Hours, Last Man Standing, etc.; Hill also wrote and directed the pilot for the critically acclaimed HBO series, Deadwood.)

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Today’s Hollywood films have been carefully crafted to turn you into a beta orbiter and a liberal, cucked, blue-pill-chugging simp – that is, once you stop fighting it, after first ripping your hair out and throwing butter-congealed popcorn at the theater screen…

Don’t let the Puppet Masters brainwash you – take a stand right here and right now, by renting a couple of these bona fide RPO films today, and reclaim your manhood.

You’ll be glad you did.

Read Next: 7 Hollywood Classics That Would Not Be Made Today

128 thoughts on “3 More Hollywood Films For Men That Leave Today’s SJW Films In The Dust”

  1. Will try to check history of violence. Some other recommendations: as bang up to date movies go, Black Mass is simply superb. Unbroken (or is it unbreakable?) is harrowing. Fair play to Angelina. Birdman is one of these ones for the analysts to really pick apart. Some decent movies still getting through.

  2. Strongly disagree on A History of Violence being “crafted for red pill men.” Mortensen and the director, David Cronenberg, are pretty far to the left of your average Hollywood nutjob. I enjoyed the film back in the day and even bought the dvd, but I immediately regretted it upon watching the special features and seeing Mortensen french-kissing the director on set.
    Oh, and hearing them talk about the subtext dispels any notion of it being a red pill action movie. The whole point of the piece was to make people uncomfortable with America’s obsession with violence, not celebrate a strong male character.

      1. never ever what the dvd bonus features. Cronenberg makes interesting films, he also made Crash, Eastern Promises, and Cosmopolis

    3. And people were supposed to laugh at Archie Bunker, but instead they laughed with him at the stupidity of the well named Meathead.
      And people were supposed look down on Alex P. Keaton for his bourgeois values, instead he became everyone’s favorite on Family Ties.
      And so on. I love it when Cultural Marxists attempts at brainwashing don’t just fail, but backfire spectacularly.

      1. I hope what you said is supposed to be a joke, I’d hate to think you’re really that stupid.

        3. Apparently not, since you’re still being an annoying cunt. Why don’t you go bother someone more on your level. I’m sure there’s some pond-scum in your area that could use the diversion.

        5. Whereas you go from stupidity to bitchiness. Seriously, can’t you find anyone that actually wants to interact with you? Is that why you continue to annoy someone who’s made it clear as can be he wants nothing to do with your retarded ass? In case it’s still not clear, fuck off moron.

        6. I enjoy your pathetic attempts to insult me. It’s like seeing a chimp rollerskate and smoke a cigar.

        7. Oh, wonderful. It’s the “I really like it when people insult me” line of gamma bullshit. No one buys that you idiot.
          The closest thing to good you’ve ever produced is the feeling of relief people experience when you leave their life. Which is something I’m looking forward to, so do a good deed for once in your life and fuck off.
          Addendum: Thumbs up for the beauties of the block feature!

        8. Wow, you really are stupid. I wonder if you’ve ever understood anything in your life.

    4. Eastern promises was good too. Same duo. Mortensen and Cronenjew.
      It seems cronenburg is a big fan of viggo’s ass.
      Anyway the movie has a lot of violent knife killings which is pretty cool.
      I can’t imagine what gay ass political point those shitlib faggots were trying to make with that one though.
      Knives are lliterally hitter just like guns?

    5. My biggest problem was that they didn’t bother to even TRY to cough up a believable Philly accent….

      1. That only bothered people from Philly. They still should have tried harder, though, or just made the guy from somewhere else.

        1. We’re very sensitive!
          But yeah its a recurring thing….I’ve seen it in moves set anywhere from DC(!) to Boston, they just furnish a canned Nu Yawk accent and figure whats the difference?

    6. I bet you came all over yourself watching Fight Club. I wonder how you handled it when you found out Palahniuk is a fag.

        4. You sure? You’ve got the requisite brain damage, lack of common sense, and faux intellectual dipshittery down pat.

        5. You assume that because you’re stupid and gleefully ignorant that this is a requirement for those on the right. That makes you feel better, but it isn’t so.

        6. LOL! Did that make sense when you typed it? You need to take your meds, bro. Your entire necro of a two-month old sub-thread has been a retarded disaster from the start.

        7. It makes sense to anyone with a brain. Reading your comments gives me the same sense of embarrassed amusement as I imagine I’d get watching a chimp rollerkskate while smoking a cigar.

    1. I find it very interesting and Ironic that Zulu was directed by a guy who was blacklisted by Hollywood for being a “commie”…

      1. He later directed Zulu Dawn, which was woefully inaccurate. It plays to all the cliches: the foppish aristocratic General (Lord Chelmsford), the one “good” caring officer and how the Zulus were innocent in everything.
        He should have stopped with Zulu.

      2. That’s because he was indeed a communist. He was an avowed Marxist and today would’ve been a hard core SJW and zionist.

    2. Zulu is an iconic film of the British Empire: brave British redcoats fighting against savage hordes, and against all odds, winning the day.
      Not only is it a story of the Empire’s Imperial Century, but one of brotherly love among soldiers: The rough-and-tumble Chard getting along with the aristocratic Bromhead (played by Michael Cain, a Brexit supporter and Tory), the redemption of Pvt. Hook and the comradeship when the company sings “Men of Harlech” at the end.
      Although the specific character elements are fictional, the film holds itself up as being authentic to the Battle of Rorke’s Drift, if not accurate.
      Zulu, and Master and Commander, are probably my two favorite films of all time.

    4. I was about to say. Zulu and full metal jacket are my two favorite movies. Neither would get made today

    5. The Zulus are represented quite fairly as I remember. The only really negative roles are the boers portrayed as cowards and the drunk preacher.

      1. I very much appreciated the portrayal of the Zulus in this film. Courageous, disciplined, hard, determined.

        1. Takes serious balls to run into gun fire carrying only a spear and shield.
          We can learn a lot from the Zulus, particularly the compassionate way that they treated their veterans of war.

  4. Silence of the Lambs would definitely not be made today for showing transgenders as the mentally defective freaks that they really are.

    3. Yeah it would probably be something like “It puts the misogynist in the bin or it gets the rapist again”.

      1. “It puts your logic in the bin and now you get Marxism again.”
        Actually SOTL could be made today because the villain is a white male and Jodie was an ass-kicking, squared-jawed, lesbian (in real life) so it’s actually pretty far along. The tranny-freak killer was was still a white male and one of the targeted girls was fat, so there are ‘fat is beautiful’ points scored. I say it gets made in 2016

    4. A liberal once tried to test me. I ate his liver with some fava beans and a nice chianti.

      1. Anime was such a powerful art form until about ten years ago.
        And Bebop is still one of the greatest show ever.

        1. I think you are right. However there are still gems out there. Psycho Pass for instance is a fine pieace, especially season 1.

        2. I’ll have to check that out.
          I’ve enjoyed Berserk and Attack on Titan but nothing for me has surpassed Bebop or DBZ yet.

        5. Old school ha. But you should give a chance to Full Metal Alchemist Brotherhood. It’s IMHO a real classic, maybe the last one (2010).

        2. I said the animation is shitty, which it is. The number of people who like it is irrelevant. If it’s considered a classic I can only guess the storytelling makes up for the animation.

  9. You guys have got to do a film noir one of these.
    It’s where I learned at the tender age of 12, “Don’t trust dames, the minute a skirt has you in the frame that broad’ll gaffe ya.”

  10. If you want to see some serious REAL male leadership check out The Great Santini and Brubaker

  11. Speaking of Bronson….I saw Death Wish for the first time a few weeks ago. Simply amazing. Amazing in the fact that it would NEVER get made today. We get the honor of watching Paul Kersey (Charles Bronson) go from bleeding-heart liberal to oh-I-don’t-fucking-care,-you-threatened-me,-I’m-blowing-you-away. The movie doesn’t wrestle with the morality of vigilantism, it wholeheartedly endorses it.
    I recommend it to anyone who hasn’t seen it. (The first two are the best. Death Wish 3-5 are fun, but not amazing, action movies.)

        1. From the Wikipedia description:
          ” It is about Erica Bain (Foster), a female New York radio host and her
          boyfriend, who are severely beaten by thugs, leading to the boyfriend’s
          death. Terrified for her safety, Bain buys a pistol. Armed with the gun,
          she undergoes a personality transformation and becomes a vigilante,
          shooting a number of criminals.”
          Tell me again how this isn’t about vigilantism?

        3. No harm done, and I’m not trying to make you out to be an idiot or anything, I was just confused, thought you might be thinking of a different film.

    3. I’ve can’t even remember how many times I have seen it.
      All 5 of them actually.
      “You believe in Jesus?…You’re going to meet him!”
      Agree that 1 is the best film, but the others are great as well.
      Great seen in 4 when he sends the car to blow up in the garage. The gangster just stands there with that stunned look on his face and says “Jesus…”.

        1. They’re fine flix if you don’t mind the improbably all-white street gangs from central casting.

        2. Hahaha!
          In 2 & 3 they were mixed gangs, which is even more unrealistic. The giggler could be just about anything. Mulatto, Puerto Rican, North African, Arabic, White guy with big nose, good tan & curly hair…that guy had lots of options as an actor.

    4. The closest thing modern Hollywood would make to Death Wish is the knock off with Jody Foster that came out a while back.

        2. Actually, I watch so much television, it’s shameful. You’re welcome, in any event.

    5. Death Wish certainly belongs on the list. How about that rape scene? My god, and people complained about Lady Sansa’s non-rape scene…

    6. It wouldn’t get made today because crime in New York isn’t nearly as bad. It wouldn’t make sense today. And, today, with all the cameras – he’d be caught quickly.

  12. Been looking forward to your review of Cool Hand Luke for a while now, it didn’t disappoint.

    2. Glad you enjoyed it, Mr. Fickens. A review can’t do it justice, it’s just one hell of a film, I think.

  13. Thanks for the list, had not seen Cool Hand Luke or The History of Violence. Have seen most of Bronsons flicks though. He is one of my favorites.

    1. Hard times doesn’t really go in for the existentially profound, but its still a pretty powerful film. It feels more like a western, despite the setting.

  14. Another movie about male leadership that would never be made today:
    The Passion of the Christ

    1. That one couldn’t have been made back then either had it not been for Mel’s tenacity, hard-headedness and, of course, money. I recall quite well the shitstorm of outrage at the time. Mel was blacklisted afterwards and, though he’s clawed back somewhat, he’s nothing like the Hollywood demigod he would have been had he not made the film. Of course, his infamous drunken anti-Jew rant didn’t help him and neither did leaving his first wife for the Russian tramp that ended up accusing him of abuse and publicly shaming him. If not for all that stuff, Mel was on the path towards Hollywood royalty (think George Clooney and Tom Hanks).
      Interestingly Robert Downey Jr stuck with Mel through the trials and tribulations. I gained a lot of respect for Downey because of that.

    2. That’s one of the great things about that movie: “they” said it could never be made. Mel Gibson basically just said fuck that, I’m going to make it.

    3. I thought Christ was WAY too laid back in that one. He should’ve been kickin’ ass from frame one instead of puttin’ up with all that Jew/Roman crap.
      “He is a blasphemer!”
      “Yeah, yeah, blow it out yer ass, priest. Now get me some wine and a slave girl.”

  15. I like how you included a movie from more modern times (i.e. ’05). The early thousands weren’t all bad.

    1. I agree. Around 2006, things really started going in the toilet. Heavy SJW interference. But I’m preaching to the choir here…

    1. Imo probably going to be the best superhero movie after the dark knight in terms of crossovers cinema. All based on the trailer of course.

  17. Another outstanding red-pill film is “All About Eve” from 1950.
    It’s about a young woman (Eve) who lies her way into working as a personal assistant for a famous but ageing/fading Broadway actress. Eve studies her mark carefully, then steals everything she has.
    Themes present:
    – The inevitability of the Wall
    – A woman’s real life meaning comes from a man and children, not professional success
    – Other women are a woman’s worst enemies
    A young Marilyn Monroe makes a cameo as an airhead starlet wanna-be. What a fine piece of ass she was.

      1. Mildred Pierce was on TCM a few days ago. There’s a movie with a strong female lead- she is the good one, the men and especially her daughter are horrible human beings.

  18. If you haven’t seen “Cool Hand Luke” download it right now. An incredible film. All about character and what it is to be a man.

    1. I’ll get around to it eventually, I guess. Can a film really be that iconic and inspiring?
      You bros are probably just overplaying it.

        1. I’ve never seen a more existentially profound film. I thought you may see my avi. Cool Hand Luke made Paul Newman cool to me. Have you ever seen the Hustler?

    1. You don’t have to think, you just kind of experience it, and enjoy it while you do it. I think most guys can relate to the film on some level…

  21. “Long Hot Summer”. Joanne Woodward and Paul Newman first met when they made this movie together. You can cut the sexual tension with a knife!

  22. I saw ” A History of Violence” back then at the cinema on tuesday or wednesday at 11 pm.To my big surprise i was THE ONLY ONE in the theatre.What a strange experience.So they showed the movie only for me.I was thinking it was kinda “Hidden camera”
    One of my favourite lines from this movie is when
    William Hurt said: ” I still havent found the special woman, why i should neglect all the other women”
    ( or something like that)

  24. I recommend “Shenandoah”, it’s such a classic movie. Promotes self-reliance, traditional family values, and ultimately doing what is right and neccessary when it’s called for.

    1. good call on Shenandoah…When Jimmy Stewart was talking with the guy who was courting his daughter was classic. How about “The Undefeated” with Rock Hudson and John fucking Wayne.. “Windage and elevation Mrs Langdon , windage and elevation Mrs Langdon…”

    1. Have to disagree. Tough white man character, sacrificing his life for… a colored immigrant girl? No, thanks. However, the whigger scene almost makes it worth to watch it. Almost.

      1. That’s exactly why it’s good. Goes to tell SJW’s that we don’t operate in political correctness or egalitarian bull, but we are more true to helping others than those champagne socialists.

  28. No Country For Old Men. That’s about one of the last manly movies made, there isn’t a single female going around kicking everyone’s ass in the whole movie. The Sherriffs wive and Moss’ wife acted like …..wives, unbelievable.

    1. Excellent choice. Probably made because it was set @ 1980 in real time. Can’t help but stop and watch it whenever I’m channel surfing. I’m sure, as a Southerner, you remember the scene at the Border crossing on Luellens return from Mexico.

  30. Lord, whatever I done wrong, please don’t strike me blind now! -Dragline

  31. The fight scenes in ‘Hard Times’ are more than merely ‘satisfactorily realistic’. Was in a few scraps in the old days. ‘Hard Times’ was VERY realistic. Not to nitpick. Happy with your inclusion. A real man’s film about a very rough time in this nations history. Good article. For you younger guys, of the many selections available, I would strongly recommend ‘To Live and Die in LA”. I’ll provide no info other than to say it is filled with bad-ass men.

    1. When I wrote “satisfactorily realistic”, I thought about changing the line to something more emphatic. But I got lazy. Heh. In any event, the fight scenes are a lot better than satisfactory, as you pointed out…

  36. Almost anything by David Mamet, but especially “Heist” (w/Hackman and DeVito) and “The Spanish Prisoner” (w/Steve Martin as an ice-cold con artist, weirdly convincing in the role.)
    It’s arguable whether the controversial “Oleanna” was an example of extreme SJW insanity or a takedown of it. (That’s the one about a paranoid feminazi college girl who accuses her cucked professor of harassment.)

    1. Watch red belt. Shows the nature of women in true colors. And a pretty flashy representation of BJJ

  38. Anybody seen Hell or High Water yet? I haven’t, but have heard great things about the character and their vigilantism, loyal to family, and other no-nonsense odes to masculinity. Anybody?

  39. I loved Friday the 13th, 2, 3, and “The Final Chapter” because I loved seeing sluts get tortured. The rest of the movies were just WTF?!

  40. I have to say that JOY HARMON (Car wash Girl) was hot as fuck in this film – Cool Hand Luke. Awesome movie!!!

  41. We all know who runs Hollywood, but honestly, when did they ramp up and start the indoctrination program? I mean actual year/era.

  42. In the Heat of the Night was a classic and groundbreaking. Lets not forget that the South in those days was a demonstrably racist place.

  44. “Life With Father” should be at the top of every Red Pill list.
    And it is family friendly. if you have a son, watch it with him.

  45. I already saw A History of Violence. Great movie.
    I’d recommend The Way Back, about Soviet concentration camp prisoners who escape and trek nearly 4000 miles to India, and freedom.

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